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清末民初时期的陶瓷山水画研究 被引量:2

Research on Ceramic landscape painting in Late Qing Dynasty and Early Republic of China
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摘要 陶瓷绘画艺术,伴随着时间的推演,也一直在革新与继承中不断发展。而清末民初时期的陶瓷艺术在近代陶瓷发展史上,也具有着非常重要的作用。这个时期的景德镇陶瓷艺术,主要是以珠山八友为代表的陶瓷艺术家们引领,而浅绛彩在这个时期也深受大家喜爱。这个时期独特的创作技法,创作出了一大批极富文人气息的艺术作品,给景德镇陶瓷绘画史写下了绚烂的篇章。本文通过分析这一时期的粉彩山水画与浅绛彩山水画,希望挖掘其创作内涵与人文精神,从而更好的把握和理解当代陶瓷粉彩山水画的创作。 Ceramic painting art,along with the deduction of time,has been developing in innovation and inheritance.The ceramic art in the late Qing Dynasty and the early Republic of China also played a very important role in the development of modern ceramics.The ceramic art of Jingdezhen in this period was mainly led by the ceramic artists represented by the eight friends of Zhushan,and the light crimson color was also loved by everyone in this period.This period of unique creative techniques,created a large number of works of art full of literati atmosphere,to Jingdezhen ceramic painting history has written a brilliant chapter.This paper analyzes the famille rose landscape painting and light crimson landscape painting in this period,hoping to explore its creative connotation and humanistic spirit,so as to better grasp and understand the creation of contemporary ceramic famille rose landscape painting.
作者 周云亮 Zhou Zhijun(Jingdezhen Ceramic University,Jingdezhen,333000)
机构地区 景德镇陶瓷大学
出处 《陶瓷研究》 2021年第5期137-138,共2页 Ceramic Studies
关键词 清末民初 陶瓷 山水 粉彩 Late Qing Dynasty and early Republic of China Ceramics Landscape Pastel
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