中国水墨画对青花山水画的影响

The influence of Chinese ink painting on blue and white landscape painting

青花瓷和水墨画起源于中国五千年的文明传统。它们是中华民族灵魂的闪光,是陶瓷文化的勃发。中国水墨画以其潇洒的笔触、简洁的造型、开放的人文精神和青花的宁静,各自获得了永恒的艺术生命。"青"与"黑"两种颜色的恬静意境,在同一审美语境中,是中国文化美学的根源,让我们领略中国传统艺术的最高境界,感受生活的节奏,清新典雅的瓷感和水墨画中情感的升华和精神的飞跃。然而,它们之间既有相似之处,也有不同之处。本文尝试研究青花山水和中国水墨山水的区同,给当代青花山水画创作提供帮助。

Blue and white porcelain and ink painting originated from China’s 5000 year civilization tradition.They are the flash of the soul of the Chinese nation and the vigorous development of ceramic culture.Chinese ink painting has gained eternal artistic life with its natural and unrestrained strokes,simple modeling,open humanistic spirit and tranquility of blue and white.The quiet artistic conception of "green" and "black" is the root of Chinese cultural aesthetics in the same aesthetic context.Let us appreciate the highest realm of Chinese traditional art,feel the rhythm of life,the fresh and elegant porcelain feeling,the emotional sublimation and spiritual leap in ink painting.However,there are both similarities and differences between them.This paper attempts to study the similarities between blue and white landscape and Chinese ink landscape,so as to provide help for the creation of contemporary blue and white landscape painting.