论程虹自然文学的阐释模式与理论贡献

On the Interpretation Mode and Theoretical Value of Cheng Hong’s Natural Literature

美国的自然文学兴起于20世纪下半叶,以约翰·巴勒斯、约翰·缪尔以及玛丽·奥斯汀等作家为代表,自然文学逐渐成为学界研究的对象。程虹被誉为"中国从事自然文学研究第一人",在理论研究方面,提出了独有的"风景""声景""心景"的三维阐释模式,译者和批评家的双重身份也呈现出了独特的话语特征。程虹对自然文学的研究拓展了文学空间,丰富了自然文学理论并推动了中国自然文学的发展,同时,我们也应对程虹类似文学史的阐释话语进行反思。

American natural literature rose in the second half of the 20th century,represented by writers such as John Burroughs,John Muir,Mary Austin and other writers.Natural literature has gradually become the object of academic research.Cheng Hong is known as"the first person engaged in the study of natural literature in China".In the aspect of theoretical research,she puts forward a unique three-dimensional interpretation mode of"landscape"、"soundscape"and"soulscape",which expands the literary space,enriches the theory of natural literature and promotes the development of Chinese natural literature.At the same time,we should reflect on the interpretation discourse of similar literature history of Cheng Hong.