浙西南民间音乐融入丽水地方高校钢琴教学的实践探究

Integrating Folk Music of Southwest Zhejiang into Piano Teaching at local Universities in Lishui:A Practical Exploration

丽水地方高校的钢琴教学主要以西方教学体系为主,在教学中主要侧重于西方钢琴作品,忽略了中国钢琴音乐作品的学习,对本区域民间音乐融入钢琴教学的实践几乎为零,这不利于丽水地方高校钢琴教学的发展。本文分析了浙西南民间音乐融入丽水地方高校钢琴教学的重要意义,并对具体措施做一些实践性的探究,如把浙西南民间音乐改编并整理成钢琴教材,将浙西南民间音乐钢琴作品在各类实践中进行展示,培养一批具有浙西南民间音乐钢琴作品改编和演奏特长的传承人才。这种教学模式既传承了本区域的民间音乐,又创新了地方高校的钢琴教学模式。

The piano teaching in Lishui local universities is mainly based on the western teaching system.In the teaching,it mainly focuses on Western piano works and ignores the learning of Chinese piano music works.In particular,the folk music of Southwest Zhejiang has not yet been integrated into the teaching.And this is not conducive to the development of piano teaching at local universities in Lishui.This paper analyzes the significance of integrating folk music in Southwest Zhejiang into the piano teaching,and makes some practical exploration on specific measures,for instance,adapting the folk music to become teaching materials,displaying the folk music in various practices,and cultivating talents with expertise in creation and performance for inheriting the local music.This teaching mode not only facilitate the inheritance of the folk music of this region,but also help to develop unique piano teaching mode for the local universities.