缅甸蒲甘王朝壁画语言的本土化嬗变

The Localization Evolution of Burmese Murals in the Bagan Dynasty

在缅甸现今留存的文化遗产中,蒲甘王朝时期佛塔和寺庙内的壁画以大量丰富的造像和叙事性图像反映了彼时社会形态和文化景观,令后世从中窥见当年盛世之一隅。作为外来的宗教艺术,蒲甘时期壁画曾深受古印度艺术影响,经过长期的民族文化融合和内化而逐步脱胎形成其重规范、重统筹、平面化、风俗化的本土艺术面貌。本文以绘画的造型手法、图像结构、内容题材为研究视角,对缅甸蒲甘时期壁画进行考察,并从中获得其本土化、民族化语言风格的形成和演变规律。

Among the remaining cultural heritages of Myanmar,the murals in pagodas and temples of the Bagan dynasty reflect the social condition and cultural landscape of that time with abundant statues and narrative paintings,providing for later generations a glimpse of the prosperity of that time.As a foreign religious art form,the murals of Bagan Empire were deeply influenced by ancient Indian art.After longterm integration and internalization of local culture,the Bagan mural gradually emerged and formed its local art features by stressing the norms,overall planning,planarization and customization.This paper investigates the Burmese murals in Bagan period from the perspective of painting modeling techniques,image structure,content and subject matter,furthermore,it attempts to conclude the principles of formation and evolution of its localized and nationalized style.