从异托邦到“社博朋克”--《流浪地球》科幻影像中的“中国空间”叙事

From Heterotopia to“Social Syber Punk”--“Chinese Space”Narrative ofT he Wandering Earth

科幻电影《流浪地球》建构了基于科学幻想、面向未来的“中国空间”。对世界科幻电影传统而言,它是一个带着鲜明中国风格的“异托邦”,面临他者眼光的审视。对中国观众而言,它通过对中国传统、现代和后现代思想的融合,完成了对“中国空间”的现代性叙事。这一过程充分体现了“两种现代性”即积极的现代性和否定的现代性的冲突,并通过建构理性的、积极的、祛魅的和工业化的空间美学,建立起自己的风格。

The science fiction movie The Wandering Earth constructs a future-oriented“Chinese space”on the basis of scientific fantasy.For the tradition of world science fiction movie,it is a“heterotopia”with a distinctive Chinese style,facing the scrutiny of the other.For the Chinese audience,it completes the modern narration of“Chinese space”through the fusion of Chinese traditional,modern and postmodern thoughts.This process fully embodies the conflict of“two modernities”,namely,positive modernity and negative modernity,and establishes its own style by constructing rational,positive,disenchanted and industrialized space aesthetics.