摘要
不同艺术形态通过符码重组生成新的艺术文本,这表明艺术的跨媒介融合遵循"内容同构优先于媒介间性"的原则。在情感叙事和悬念设置上,《戏剧新生活》实现"真人秀"与"戏剧"的互文嵌套,并通过议题设置制造公共舆论,重塑了戏剧的认知方式和价值结构,使戏剧"破圈"并链接新的用户群体。就节目和戏剧的未来发展而言,完整呈现戏剧的概念与体系,遵从戏剧的艺术规定性,注重主题与价值观的表达,值得进一步关注与思考。
Through code reintegration, different art forms generate new art texts, indicating the priority of content isomorphism over inter-mediality in the cross-media integration of art.Regarding emotional narration and suspense setting in Theatre for Living, there is intertextuality between reality TV show and drama, and shaping public opinion through agenda setting, adapting the cognitive mode and value structure of drama to achieve circle-breaking effect and to reach to new groups of users. In terms of the future development of TV Program and Drama, questions regarding how to embody dramatic concept and system, and to follow the artistic standard of drama, so as to better convey the theme and values deserve more attention.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2021年第5期164-172,共9页
Drama:The Journal of the Central Academy of Drama
基金
中国人民大学科研基金项目“智媒时代视听艺术传播与价值体系建设研究”(项目编号:21XNA037)的阶段性成果
中国人民大学艺术学院“双一流”基金项目“艺术管理与传播学二级学科的建设与发展研究”(项目编号:21YSKY11)的阶段性成果。
关键词
《戏剧新生活》
戏剧
真人秀
跨媒介
破圈
Theatre for Living
drama
reality TV show
cross-media
circle breaking