论高罗佩《琴道》的古琴音乐姿态艺术观

On the Artistic View of Musical Gesture in R.H.Van Gulik’s The Lore of the Chinese Lute

高罗佩《琴道》中的音乐姿态艺术观,主要由古琴音乐姿态的文化涵化与融合、音乐姿态身份与价值主体间性、表现姿态话语体系三个部分构成。从古琴制式、身体、叙事姿态三个维度阐释了制式姿态中的“自然”意义、表演姿态中的共鸣效果、聆听姿态中的交流价值。其音乐姿态艺术观体现了技与艺的统一、器与道的融合、天与人的合一等重要特点,为中国音乐审美理想和东西方音乐艺术対话提供了重要启示。

The artistic view of musical gesture in R.H.Van Gulik’s The Lore of the Chinese Lute is mainly composed of three parts,i.e.the cultural connotation and integration of the musical gesture of the Chinese lute,the inter-subjectivity in the identity and value of musical gesture,and the discourse system of expressive gesture.Van Gulik elucidated the“natural”meaning in the format of the Chinese lute,the resonance effect in the performance of the Chinese lute,and the exchange value in the appreciation of the music from the Chinese lute.Van Gulik’s artistic view of musical gesture reflects the unity of technique and art,and the integration of instrument and Tao,and the oneness of heaven and man.His book provides important enlightenment for the aesthetic ideal of Chinese music and the communication between eastern and western musical art.