由内及外的现实关照

The Realistic Concern from Interior to Exterior

如宫崎骏动画中的无脸怪一般,蒋小余笔下的形象没有特定表现某一个人物,具有一定的象征含义。他基于自身的肉身经验,将社会经历、个人状态等进行自我情感内化,并将一切个人的身体符号、身份符号剔除,只留下最原始的元素,以一种非特定对象的形象表现当下生活中人的内心情感以及生存状态。

Like the Faceless Monster in Hayao Miyazaki’s cartoon, characters in Jiang Xiaoyu’s works do not stand for a specific figure, but they have some symbolic meaning. Based on his own physical experience, he has internalized his social experience and personal mood, and eliminated symbols of body and identity, leaving only the most primitive elements. He expresses people’s emotion and living state with non-specific objects.