一种技艺人的人本主义——三木清的人本主义论

A Kind of Humanism about Homo Faber:On Miki Kiyoshi’s Humanism Theory

人本主义在20世纪30年代被日本和欧美学界广泛探讨。本文分析了日本哲学家三木清对西方人本主义理论的理解,指出他尝试以"技艺人homo faber"为核心构筑的人本主义论与西方的人本主义相比,"技艺人"中的"制作"概念不单纯是一个属于"人"的特质。同时他提出的东方的人本主义根植于"无""自然""天"的思想之间存在怎样的关系也值得深入研究。三木对技艺人的理解不同于阿伦特等西方学者,与其独特的、具有日本特征的制作概念密切相关。

Humanism was widely discussed by academic circles of Japan,Europe and America in the 1930 s.This paper analyzes Japanese philosopher Miki Kiyoshi’s understanding of western humanism theories,and points out that he tried to construct a new humanism theory with"homo faber"as the core.Compared with western humanism,the concept of"poiesis"is not simply a human characteristic.At the same time,the relationship between his orientalism rooted in"nothing""nature"and"heaven"also deserves further study.Mitsuki’s understanding of homo faber is different from that of western philosophers,such as Arendt,which is closely related to his unique Japanese-Specific concept of poiesis.