摘要
戏曲界普遍推行“男女合演”的当下,越剧始终以“女子越剧”为之全权“代言”。这一方面是社会审美倾向的折射,另一方面也是“男女合演”一直以来未能寻找到更适合的发展途径的反映。进入21世纪,新时代要有新发展,历史和越剧艺术自身的发展,呼唤越剧“男女合演”的新突破。而“男女合演”的发展需要在剧目、音乐、人才和传播四个方面寻求新的思路、方法和手段,不断借鉴和借用其他艺术形式、传播方式来增强自身的艺术实力。
At a time when"co-performance"is commonly practiced in the Chinese opera world,Yueju Opera has been represented by"women's Yueju Opera".On the one hand,this is a reflection of the aesthetic tendencies of society,and on the other hand,a reflection of the fact that"co-performance"of Yueju Opera has never been to find a more appropriate way of its development.The new era of the 21st century calls for its new developments.The development of history and the requirements of the art of Yueju Opera itself call for a new breakthrough in the"co-performance".The development of"co-performance"needs to seek new ideas,methods and means from the four aspects of repertoire,music,talent and communication,while constantly borrow from other art forms and communication methods to enhance its own artistic strength.
出处
《民族艺林》
2021年第4期60-67,共8页
Journal of Ethnic Art
关键词
越剧
表演形式
男女合演
音乐唱腔
发展
Yueju Opera
performance form
co-performance
musical vocals
development