摘要
文章以徐州博物馆馆藏带柄铜染炉为例,立足于文献记载和出土文物,从设计学的角度出发,研究带柄铜染炉的功能、形制、造型及其背后的文化内涵。通过对带柄铜染炉的物质层功能设计和精神层内涵的深入研究,得出制器的"以人为本"、造物的"借物喻意"、规范的"制器流程"是设计的重要组成部分。在触发人们对传统文化认同感的同时,对现代产品设计思维具有重要的启示意义。通过文章的研究,以期推动传统物质文化的传承与发展。
The article takes the copper dyeing furnace with handle in the Xuzhou Museum as an example,based on documentary records and unearthed cultural relics,and from the perspective of design,studies the function,shape,shape and cultural connotation of the copper dye furnace with handle.Through in-depth research on the functional design of the material layer and the connotation of the spiritual layer of the handle copper dyeing furnace,it is concluded that the "peopleoriented," creative " borrowing metaphor,and " standard " manufacturing process" are an important part of the design.,While triggering people’s sense of identity with traditional culture,it has important enlightening significance for modern product design thinking.Through the research of this article,we hope to promote the inheritance and development of traditional material culture.
作者
王娜
丁群
刘楠
Wang Na;Ding Qun;Liu Nan
出处
《工业设计》
2021年第11期141-142,共2页
Industrial Design
基金
江苏省研究生科研与实践创新计划项目(项目编号:KYCX212125)。
关键词
带柄铜染炉
汉代
设计
特征
传统文化
Copper Dyeing Furnace With Handle
Han Dynasty
Design
Characteristic
The Traditional Culture