清季江南才媛“尚苏”风尚的形成

The Formation of the “Advocating Su Shi” in Women Poets in Jiangnan Region During the Qing Dynasty

"咏苏"词人向来以男性为主,然清代江南一带女性作家创作中的"尚苏"现象却俨然成风。这种创作特点的形成与清代江南地区女性文化素养提升与女性主体意识日趋繁盛关系密切,而苏轼文化对女作家的滋养又为其提供了创作的文化土壤。苏轼的人格魅力,与才媛创作中复杂的心境相互交织,加之"词学中兴"的载体特色和女性结社风气的推动与吸引,共同造就了女性作家推崇苏轼作品并自觉予以仿作的"尚苏"风尚。

The poets "chanting Su Shi" have always been dominated by men, but the phenomenon of "advocating Su Shi" in the creation of female poets in Jiangnan region(south of lower reaches of the Yangtze River) in the Qing Dynasty seems to be a common practice. The formation of this creative feature is closely related to the improvement of women’s cultural literacy and the increasing prosperity of women’s subject consciousness in Jiangnan area in the Qing Dynasty, and the nourishment of Su Shi culture to women poets provides a cultural soil for their creation. Su Shi’s personality charm is intertwined with the complex mood in poets’ creation, coupled with the carrier characteristics of "the resurgence of poetry studies" and the promotion and attraction of women’s association atmosphere, which jointly create the "advocating Su Shi" trend that women poets admire Su Shi’s works and consciously imitate them.