融合与发酵:论1930年代韩国文坛的“达达·超现实主义”现象

Fusion and Fermentation:On“Dada Surrealism”in Korean Literature in 1930s

1930年代韩国超现实主义文学呈现出既有理论支撑又有名篇佳作的完整体系。超现实主义登陆韩国,在被适时有效利用的同时又经各种前卫尝试,最终融合并发酵成具有韩国本土化特点的“达达·超现实主义”。西方达达主义与超现实主义渊源复杂,超现实主义在韩国经过介绍传播过程中的传导效应、文坛需求及传播者意图等催化作用下,丰富了内涵并拓宽了外延。从历史实证角度通过对韩国超现实主义文学现象的重点梳理,阐明了韩国文坛达达主义与超现实主义的关系,并通过分析诗人李箱的相关诗歌架构,再现了“达达·超现实主义”诗歌特点。

In the 1930s,Korean surrealism literature presented a complete system with both theoretical support and masterpieces.After landing in Korea and being attacked,surrealism was used on a timely and effective base.Meanwhile,through various avant-garde attempts,it finally evolved into“Dada surrealism”with the characteristics of South Korea’s localization.Western Dadaism and surrealism have complex origins.However,under the catalysis of the transmission effect in the process of introduction and dissemination in South Korea,the needs of the times and the intention of communicators,surrealism enriches the connotation and deepens the denotation in South Korea.From the perspective of historical analysis,this paper clarifies the relationship between Dadaism and surrealism in South Korea by focusing on the literary phenomenon of surrealism in South Korea.By analyzing the poetic structure of Li Xiang,this paper reproduces the characteristics of“Dada surrealist”poetry.