技术统治与艺术拯救——论海德格尔的艺术美学思想

Technology Rule and Art Rescue:On Heidegger's Aesthetic Thought

现代社会是一个技术主导型的时代,海德格尔认为科学技术将世界整体促逼为"图象",即技术的"座架"以一种强制和抽象的方式规定和限制了事物,消解了存在的丰富性。现代技术的解蔽不再具有源出意义上把握"真"的涵义,座架的解蔽将一切事物以及人自身全部纳入到固定的技术框架之中,存在的真理被技术的真理占有。为了拯救技术时代人的生存困境,海德格尔将救渡的希望寄托于美的艺术,艺术的解蔽更为切近存在之真理,此在的人通过艺术来感知和领悟澄明的存在,人与敞开的存在境遇相照面,从而走出科学技术的困囿并创建诗意的栖居。

Modern society is an era dominated by technology. Heidegger believes that science and technology push the whole world into "image ", that is, the " frame " of technology prescribes and limits things in a compulsory and abstract way and dispels the richness of existence. The solution of modern technology no longer has the meaning of "truth" in the sense of source. The solution of the frame brings all things and people themselves into the fixed technical framework, and the truth of existence is occupied by the truth of technology. In order to save the survival dilemma of people in the technological age, Heidegger placed the hope of salvation on the art of beauty, and the solution of art was closer to the truth of existence. People and open existence face each other, thus out of the difficulties of science and technology and create poetic habitat.