摘要
“背面铺粉”“烘云托月”是绘画艺术中“衬”技法下的次级范畴,“背面铺粉”充分利用纸张特性于纸背着色对正面所绘形象增加影响;“烘云托月”在纸张正面为主要形象附加外在要素构成特定布局,以此彰显主要形象。明清小说评点者在批评具体文本时引入两术语,带入图画的想象揭示小说写人叙事的文法特征。
"Powder on the back of paper"and"Set off the moon with clouds"are sub-categories of the skill in the art of painting."Powder on the back of paper"is to color on the back of the paper to increase the impact on the image painted on the front by full use of the characteristics of pape;"Set off the moon with clouds"is to add external elements for the main image on the front of the paper to form a specific layout and highlight the main image.The critics of Ming-Qing Nov.els introduced two terms at the moment of criticizing specific texts,and brought in the imagination of pictures to reveal the grammatical characteristics of the Nov.el's narrative.
作者
张硕
ZHANG Shuo(College of Liberal Art,Nanjing Normal University,Nanjing 210024,China)
出处
《赤峰学院学报(哲学社会科学版)》
2021年第11期44-49,共6页
Journal of Chifeng University:Philosophy and Social Science Chinese Edition
基金
国家社会科学基金“中国古代小说理论术语考释与谱系建构”(19ZDA247)。
关键词
“背面铺粉”
“烘云托月”
反衬
对立
"Powder on the back of paper"
"Set off the moon with clouds"
Contrast
Opposition