在法中国当代艺术家的“他者”身份——以陈箴为例

Contemporary Chinese Artists as “the Other” in France: A Case Study of CHEN Zhen

“他者”是后殖民理论的重要批判角度,重新审视“他者”有利于实现双向且平等的跨文化交流。而最早一批进入法国的中国当代艺术家是跨文化语境下最具代表的“他者”。其中,陈箴的作品及理论构建出的“他者”身份有效地篡改了西方定义的“他者”,既形成了其特殊的个人文化身份,又为实现东西方平等对话做出了贡献。

“The Other”is an important critical perspective of postcolonial theory and re-examining it is conducive to the realization of two-way and equal cross-cultural communication.The first batch of contemporary Chinese artists who entered France are the most representative“Other”in a cross-cultural context.Among them,the identity of“the Other”constructed by CHEN Zhen’s works and theories effectively rewrite“the Other”defined by the Occident,which not only forms his distinctive personal cultural identity,but also contributes to the realization of equal dialogue between the Orient and the Occident.