摘要
北宋中期,饰翠风尚盛行。“铺翠”作为合适的身份展示符号,获得上层女性普遍青睐,市场上大批翠铺、翠作涌现。自真宗朝起,这种大规模的炫耀性消费得到规制,此后包括仁宗、徽宗、高宗在内的多位皇帝也屡发禁令,然而高压之下各阶层依旧饰者自若。
In the middle of the Northern Song Dynasty,the fashion of“Pu-cui”decoration(a decoration with kingfisher feathers)prevailed.As a suitable symbol displaying identity,“Pu-cui”was widely favored by upper class women,and a large number of shops and workshops related to it emerged in the markets.From the period of Emperor Zhenzong(968-1022),this large-scale conspicuous consumption was under regulation.Since then,many emperors,including Renzong,Huizong and Gaozong,had repeatedly issued prohibitions.However,many people in different classes still wore“Pu-cui”decorations even under high pressure.
作者
王希俊
谢纯玉
WANG Xijun;XIE Chunyu(School of Architecture and Art,Central South University,Changsha,Hunan 410083,China)
出处
《贵州大学学报(艺术版)》
2021年第6期98-104,共7页
Journal of Guizhou University Art Edition
关键词
铺翠装饰
僭越
奢侈消费
宋代时尚
“Pu-cui”decoration
overstepping
luxury consumption
fashions in Song Dynasty