摘要
云南青花瓷器历经数百年时间,在时代的发展、变迁中,形成了成熟的东方图形谱系,它包含了中华图形文化的所有特征,既有隐喻性表达的具象图形,也有无主观意识表达的抽象图形,青花图形的表象和创作者的心象在泥与火的融合中得到最完美的表现,穿越时间,流传至今,形成中国人独特的美学观念,构成了璀璨的中华文明,是最保守的,也是最前卫的民族艺术。
Yunnan blue and white porcelain has gone through hundreds of years. In the fusion, changes and development of the times, a mature oriental graphic pedigree has been formed. It contains all the characteristics of Chinese graphic culture, including both metaphorical and concrete images,and the Abstract graphics expressed by subjective consciousness. The appearance of blue and white graphics and the image of the creator’s mind are most perfectly expressed in the fusion of mud and fire. They have passed through time and passed down to the present,forming the unique aesthetic concept of the Chinese people and constituting the brilliant Chinese civilization. It is the most conservative and traditional, and also the most avant-garde experimental national art.
作者
唐军
TANG Jun(Yunnan University Dian Chi College,Kunming 650028,China)
出处
《鞋类工艺与设计》
2021年第16期80-82,共3页
SHOES TECHNOLOGY AND DESIGN
基金
云南省教育厅科学研究基金项目,项目编号:2019J0824。
关键词
云南青花
艺术融合
图形分类
yunnan blue and white
artistic fusion
figure classification