“抒情传统”中的鲁迅研究——关于“文学鲁迅”问题的思考

Lu Xun in the“Lyric Tradition”:Thoughts about the Problem of“Literary Lu Xun”

鲁迅文学的抒情转化表明了诗化风格的跨文体生成:作为一种在审美取向、个性坚持以及风格沿变上显示历时性、整体性的文学传统,不仅指向文学身份的自我形成,也包含着与现代抒情文学“谱系”以及纯文学话语的深切关联。“抒情传统”寻求“文学鲁迅”问题的本体建构与系统深化,从结构诗学、历史意识到互文观照的方法论转变,深入功能性的语义运思以至语境化的文学生产活动,对于鲁迅文学研究存在的政治化、思想化“趣味”以及印象化批评等局限的改观,具有一定意义。

The lyric transformation of Lu Xun’s literary practice indicates a cross-style generation of his poetic style.As a literary tradition which shows diachronic and holistic characters in aesthetic orientation,personality persistence and style changing,it not only points to the self-formation of the literary identity,but also contains a deep-level connection with the“pedigree”of the modern lyric literature and pure literary word.“Lyric tradition”seeks the self-construction and systematic deepening of“literary Lu Xun.”It changes from structural poetics and historical consciousness to the methodology of intertextuality theory which deepens the functional semantic consideration and even contextual literary creative activities,all contributing to loosing the limitations of existing politicization,ideological“interest”and impressionistic criticism in Lu Xun literary research,which proves to be of certain significance.