摘要
艺术批评视域下的电影批评有四个维度:后叠型艺术批评、综合情境型艺术批评、媒材技术型艺术批评和大众明星型艺术批评。当前电影批评需要超离"纯"与"非纯"、理论与批评及电影批评与其他艺术门类批评等是非高下之争,以当前电影艺术品及其相关现象为中心,运用跨媒介、跨门类、跨学科和跨文化等综合手段,展开感性体验和理性分析,梳理出对于把握当前时代境遇下社会、人生、文化等状况的有价值的和触及人们灵魂的问题,加以分析和评价,丰富对电影艺术品的体味。
Film criticism has the following four dimensions from the perspective of art criticism:post-overlapping art criticism,comprehensive scenario art criticism,media technology art criticism and popular celebrity art criticism.At present,film criticism needs to go beyond prior debates between"pure"and"impure",theory and criticism,as well as film criticism and criticism of other art genres.Film criticism should center on current films and related phenomena,using comprehensive methods of cross-media,cross-genre,cross-discipline,and cross-culture to develop a sensual experience and rational analysis.This helps analyze and evaluate valuable and soul-touching issues that grasp current situation of the society,life,and culture,in the meanwhile,enrich our appreciation of the film art.
出处
《电影艺术》
CSSCI
北大核心
2021年第6期47-51,共5页
Film Art
基金
2018年度国家社科基金艺术学重大项目“文艺发展史与文艺高峰研究”(项目编号:18ZD02)阶段性研究成果。