《兰心大剧院》:异质元素的装配与艺术坚持

Saturday Fiction:Assemblage of Hetero-elements

本文分析娄烨导演如何以一种装配的方式进行创作、处理自己电影中的各种异质性元素,以及他长期坚持的艺术技法对电影文本的影响。这种装配的艺术策略和技法坚持来自其现代主义艺术思维,带有对抗公众的精英意识,但与他其他的艺术目标产生内在矛盾。这种焦虑的矛盾心态,不仅作为集体潜意识出现在中国电影创作中,也在中国当代文化界有普遍性和典型性。这需要一个综合的解决方案。

The article provides a criticism towards Saturday Fiction by Lou Ye.As one of the most prestigious filmmakers in contemporary China,Lou connects different film elements and styles by means of arrangement and“assemblage”when dealing with various heterogeneous elements.To explain,his films combine various genres,for example,film noir,historical avant-garde and mock documentary with handheld shots.The artistic strategy this paper studies derives from his modern authorship.It creates an immanent conflict,which may abate the artistic quality of his work.