多民族戏剧交融及其中华文化认同功能论析--以云南为例

An Analysis of the Integration of Multi-ethnic Dramaand its Identity Function of Chinese Culture:A Case Study of Yunnan

戏剧作为多种因子融合互动形成的综合性艺术,承载着丰厚的族际交往信息,是多民族文化交流、互鉴,从而共创中华文化的重要载体。多民族戏剧交融及其中华文化认同功能研究,是我国戏剧界必须回答的重要理论问题。围绕此议题,以云南为例展开讨论,可推动相关研究的范式创新。多民族戏剧交融及其中华文化认同功能研究,应从三大维度入手:从民族文化交流的历史语境出发,整体观照多民族戏剧交融的发生;从剧目互鉴与母题共享出发阐释多民族戏剧交融的本体;从认同逻辑和达成路径出发,分析多民族戏剧交融现象所具有的中华文化认同功能。云南多民族戏剧交融之实例既反映了各民族共创中华文化的历史事实,也体现出各民族相互认同的文化心理,对铸牢中华民族共同体意识发挥着独特的作用。

Drama,as an integrated art formed by the integration and interaction of multiple factors,with its abundant information on inter-ethnic communication,is an important carrier for multi-ethnic cultural exchanges,mutual learning and co-creating Chinese culture.The integration of multi-ethnic dramas and the identity function of Chinese culture are important theoretical issues of drama research in China.The innovation of the related research paradigms can be promoted by taking Yunnan as an exemplary case.The study of the integration of multi-ethnic drama and its Chinese cultural identity function should start from three dimensions:it is necessary to analyze the emergence of the integration of multi-ethnic drama comprehensively in the historical context of ethnic cultural exchanges,to explain multi-ethnic drama itself from the perspective of the mutual learning of the repertoire and shared motif,reveal the identity function of Chinese culture of the integration of multi-ethnic drama through the logic of identification and the path to realization.The case of integration of multi-ethnic drama in Yunnan not only reflects the historical facts of all the ethnic groups of China in co-creating Chinese culture,but also mirrors the cultural psychology of their mutual recognition,and plays a unique role in fostering a strong sense of the community of the Chinese nation.