神话记忆与符号象征:盘瓠意象谱系的畲瑶苗服饰文化共享机制

Mythological Memory and Symbolic Symbols:The Shared Mechanism of Costume Culture of the She,Yao and Miao Nationalities in the Perspective of Panhu Image Pedigree

铸牢中华民族共同体意识是扎实推进新时代民族工作的核心理论依据,其在维护国家稳定、促进民族团结、弘扬中华优秀传统文化等方面具有十分重大的战略意义。作为盘瓠意象谱系的符号化载体之一,服饰艺术则为畲族、瑶族及苗族等南方少数民族的同源共祖关系确立了极为重要的外显标志。虽然随着生活空间的历时性变动以及交往对象的共识性改变,各同源民族(支系)的服饰艺术也产生了在地化因素,但以盘瓠神话为再模仿对象的共享符号却未曾被取代。我们既要深入研究单一民族的艺术,也要深入研究各民族艺术间的交融,进而于多民族共享传统文化符号象征体系的探索中,为铸牢中华民族共同体意识提供直接的历史依据。

To enhance a strong sense of the community of the Chinese nation is the core theoretical basis for solidly promoting our national work in the new era,which has much strategic significance in maintaining our national stability,promoting our national unity and carrying forward the excellence of traditional Chinese culture.As one of the symbolic carriers of Panhu image pedigree,costume art has established a very important explicit symbol for the relationship of the common ancestors of the She,Yao,Miao and other minorities in south China.Although the costume art of all consanguineous nationalities(as well as their branches)has also produced local factors with the diachronic change of their living space and the change in popular consensus of the communication object,the shared symbols that take Panhu myth as the object of re-imitation have not been replaced.Thus,it is necessary to give a detailed study of both the art of a single nation and the fusion of different kinds of ethnic art so as to provide a solid historical basis for enhancing a strong sense of the community of the Chinese nation in the exploration of multi-ethnic sharing of the traditional cultural symbol system.