摘要
从1928年陈梦韶改编《阿Q正传》到1948年电影《祥林嫂》的拍摄,民国时期共生产了16部鲁迅影像作品,它们不断诠释着鲁迅对民族问题的思考及鲁迅精神在民族危机时刻的意义,也不断传递着同时代知识分子与鲁迅的精神对话与价值传承。
From Chen Mengshao s adaptation of The True Story of Ah Q in 1928 to the filming of Xianglin Sister-in-law in 1948,a total of 16 films of Lu Xun were produced in the period of the Republic of China.These films constantly explained lu Xun s thinking on the national issues and the significance of Lu Xun s spirit at the moment of national crisis.They also continuously transmitted the spiritual dialogue and value inheritance between contemporary intellectuals and Lu Xun.
作者
傅学敏
FU Xue-min(School of Chinese Language and Literature,China West Normal University,Nanchong 637009,China)
出处
《西华师范大学学报(哲学社会科学版)》
2021年第6期39-45,共7页
Journal of China West Normal University:Philosophy & Social Sciences
基金
四川省哲社规划项目(SC13B019)。
关键词
鲁迅影像
国民性
民族魂
通俗化
Lu Xun s image
national character
national soul
popularization