理论之后,理论何为?——兼论后电影本体转向及其当代性

After Theory,What Is Theory?——And on the Turn of Post Film′s Ontology and its Contemporariness

齐泽克、鲍德韦尔曾就理论、后理论问题展开论争。理论之后,理论何为的探问,是重审这场论争的意义所在。鲍德韦尔对“大理论”的顽症的批判并非缺少事实,但这不是理论自身的问题。鲍德韦尔的后理论、中间层研究建基于认知主义,深受经验主义囚禁,缺乏理论超越性,不可能有齐泽克所言的从经验到普遍的关键“一跃”。后理论由于本体域、先验维度的缺席,当齐泽克在这一地带构建起幻象电影理论时,它对电影未来趋向几乎是盲视的。先验意识的电影结构发掘以及神经影像技术贯通电影内外,这改变了电影本质,出现了后电影与后人类的叠合。后电影本体转向所具有的当代性超出了电影自身,它将改变对哲学、理论、文学的思考与提问方式。

David Bordwell and SlavojZZizek once argued about the theory and post theory.After the theory,the exploration of what the theory is is the significance of reexamining this debate.There is no lack of facts about the persistent ailment of″Grand Theory″criticized by Bordwell,but it is not the problem of the theory itself.Bordwell′s post theory and middle level research are based on cognitivism,which is deeply imprisoned by empiricism and lack of theoretical transcendence,and which is impossible to have the key″leap″from experience to universality as Zizek said.Due to the absence of ontological domain and transcendental dimension,when Zizek constructed the fantasy film theory in this area,it was almost blind to the future trend of film.The film structure of transcendental consciousness is explored,and neuroimaging technology runs through the inside and outside of the film,which changes the nature of the film,resulting in the superposition of post film and post human.The contemporariness of the post film′s ontological turn goes beyond the film itself,which will change the way of thinking and questioning about philosophy,theory and literature.