走向“少数”之“普遍”——拉维科维奇的希伯来语诗歌生成论

The“General”That Makes for the“Minor”:Ravikovitch’s Hebrew Poetry in the Light of“Becoming”Theory

达莉娅·拉维科维奇被认为是以色列建国后最重要的希伯来语女诗人。结合德勒兹和加塔利的“少数文学”与“生成”理论,在诗人反抗希伯来父权传统的压制、批判暴力强权、谴责作家旁观姿态的“背叛写作”及其先锋品格中,可以发现一条从“生成—女人”到“生成—他者”的“生成—少数”的逃逸线。这种破坏现有权力结构与否定自身同一身份的语言的解辖域化和对新型感知的探索,亦是回应一种“集群多元体”的伦理实践。

Dahlia Ravikovitch is recognized as the most important Hebrew poetess after the founding of Israel.In the light of Gilles Deleuze’s and Felix Guattari’s theories of“minor literature”and“becoming,”a line of escape,from“becoming—woman”to“becoming—the other,”can be discerned in the author’s pioneering character and her writings of betrayal against the suppress of traditional Hebrew patriarchy,criticism of violence and power,and denunciation of writers’on-looking attitude.Such a linguistic descoping,including the destruction of the current power structure and the denial of the same identity of the self,and the exploration of new types of sensation are an ethical practice in response to“pack multiplicities.”