传承、创新与再融入:壮族嘹歌文化的现代重构模式

Inheritance,Innovation and Re-integration:Modern Reconstruction Model of Liao Song Culture of Zhuang Ethnic Group

文章在政治、经济、文化、艺术、教育等场域交织而成的生态系统中梳理壮族嘹歌文化的重构规律,认为嘹歌文化重构呈现出“传承—创新—再融入”的模式特点,其中,以传承干预为起点,形成了多元共生的传承干预群体和相持互制的传承干预格局;以创新发展为动力,推动了传承群体从“单一我者”到“我他融合”、文化形态从“生活方式”到“区域品牌”、社区功能从“乡村秩序”到“城市纽带”的发展与转变;以乡土融合为导向,既注重文化持有者主体意识的树立和强化,也回应了文化承载地的社会关切和发展诉求。“固本”“汇源”“跨界”是嘹歌文化重构模式中的鲜明特质,对当下民族传统文化重构具有积极的借鉴意义。

This paper examines the laws for the reconstruction of Liao song culture of Zhuang ethnic group in the ecosystem intertwined with different fields such as politics, economy, culture, art, education and concludes that the reconstruction of the Liao song culture presents a pattern of"inheritance,innovation and re-integration". Among them, with inheritance and intervention as the starting point, the pattern of inheritance and intervention with multiple symbiosis and mutual restraint has been formed.Driven by innovation and development, it has promoted the development and transformation from"individual inheritors"to"concerted efforts for inheritance"in terms of inheritance groups, from"lifestyle"to"regional brands"in terms of cultural forms, and from"rural order"to"urban bond"in terms of community function. Being oriented by local integration, it not only focuses on the building and strengthening of the consciousness of cultural ownership but also responds to the social concerns and development demands of the locations where the culture is inherited and developed. The distinctive characteristics of Liao song culture reconstruction include"laying a solid foundation","integration"and"being trans-boundary", which has positive reference significance for the reconstruction of current ethnic traditional culture.