夹江木版年画“文化个性”研究——非物质文化遗产文创基地建设的基础研究

Study on "Cultural Personality" of Jiajiang New Year Woodcut:Basic Research on the Construction of Cultural and Creative Base for the Intangible Cultural Heritage

夹江年画的题材内容、制作工艺、艺术表现都具有四川盆地西南部的地域特点。例如,以川中女将为主题的女门神,以"元亨利贞"为主题的独创花瓶画;夹江年画还以同为国家级非物质文化遗产的夹江纸作为载体,成为少见的画与纸的文化价值组合;夹江年画适应本地的文化地理习俗与审美需求,以黄丹为主色调的"黄丹门神"著称,在中国木版年画中别具一格;完全用木版套印是夹江年画的特点,但它的线条处理简洁流畅、富于变化,"刻风"独特。文章通过与其他年画的比较,来探讨夹江年画的"文化个性",作为该非物质文化遗产文创基地建设的基础。

The subject matter,production technology and artistic expression of Jiajiang New Year Woodcut all have the regional characteristics of the southwest of Sichuan Basin.For example,the female God of Door with the theme of female generals in Central Sichuan and the original vase painting with the theme of"Yuan Heng Li Zhen";Jiajiang New Year Woodcut also takes Jiajiang paper,which is also a national intangible cultural heritage,as the carrier,and becomes a rare combination of cultural values of painting and paper;Jiajiang New Year Woodcut adapts to local cultural and geographical customs and aesthetic needs.They are famous for the"Huangdan God of Door"with Huangdan as the main color,which is unique in Chinese woodblock New Year pictures;It is the characteristic of Jiajiang New Year Woodcut to completely overprint with wood block,but its line processing is simple,smooth and changeable,and the"carving style"is unique.By comparing with other New Year pictures,this paper discusses the"cultural personality"of Jiajiang New Year Woodcut as the basis for the construction of cultural and creative base for the intangible cultural heritage.