聆听布朗肖小说中的声音--在海德格尔和列维纳斯之间

Listen to the Voice in Blanchot's Fiction:Between Heidegger and Levinas

布朗肖小说中的声音表现为一种“绝对声音”,他在小说创作中向我们展示了这种绝对声音是什么以及该如何去倾听。布朗肖弃绝了光的显现力量,试图用绝对声音承担起书写的本质,一方面意在解构声音与实存之间的存在论关系,确立绝对声音的纯粹在场,另一方面也与海德格尔和列维纳斯形成了潜在对话,将声音从言语和意义中释放,赋予文学一种不确定性的体验。本文循着布朗肖对绝对声音的追问和思考,探讨他如何通过小说创作实践来思考书写与绝对声音之间的关系,并沿着这条脉络发现布朗肖与海德格尔、列维纳斯之间互相倾听和回应的关系。

The voice in Blanchot’s fiction is expressed as an“absolute voice.”In his literary creation,he shows what this absolute voice is and how to listen to it.Blanchot rejects the power of light and tries to demonstrate the essence of writing with an absolute voice.On one hand,he intends to deconstruct the ontological relationship between voice and existence,establishing the pure presence of absolute voice.On the other hand,this also forms a potential dialogue with Heidegger and Levinas.Blanchot releases the voice from speech and meaning,giving literature an experience of uncertainty.This article explores Blanchot’s thoughts about the relation between writing and absolute voice through his literary practice.Meanwhile,we could also discover Blanchot’s relationship with Heidegger and Levinas and how they listen and respond to each other.