摘要
文章通过对善化寺大雄宝殿进行实地考察,分类研究了二十四诸天彩塑,对比同类装扮的彩塑服饰特点,分析彩塑服饰表现出来的汉族服饰文化与少数民族服饰文化融合的特殊性,同时融入现代新材料、新技术,以期在服装设计领域有所启发与创新运用。
Through the field investigation of the Shakya ManiHall of Shanhua Temple,this paper classifies and studies the Deva-loka coloured sculpture,compare the characteristics of similar coloured sculpture costume,analyzes the particularity of the integration of Han costume culture and ethnic minority costume culture manifested by coloured sculpture costume.At the same time,modern new materials and new technologies are integrated,in order to inspire and innovate the application in the field of costume design.
作者
杜菁菁
Du Jingjing(Communication University of Shanxi,Jinzhong 030619,China)
出处
《纺织报告》
2021年第12期124-126,共3页
基金
山西传媒学院校级项目“善化寺大雄宝殿彩塑研究”的结题成果。
关键词
善化寺
大雄宝殿彩塑服饰
二十四诸天彩塑
少数民族服饰
Shanhua Temple
coloured sculpture costume of the Shakya ManiHall
Deva-loka coloured sculpture
ethnic minority costume