论王家卫电影作品的开放性

On the Openness of Wong Kar-Wai's Film Works

王家卫是一位国际知名导演,他的电影以新颖的视听美感、碎片化的叙事以及对边缘化人物的情感表达,吸引了全球电影研究者的广泛关注。在梳理王家卫电影相关理论研究的基础上,运用艾柯开放性作品理论和中国传统美学的“留白”,从电影叙事、场景设置和剪辑3个方面对比分析了王家卫电影的开放性,探讨王家卫电影独特的美学及哲学思想,建立创作者、电影、观众三者之间的跨文化、多维度的对话空间。

Wong Kar-Wai is an internationally renowned director.His films have attracted extensive attention from film researchers around the world with novel audiovisual beauty,fragmented narrative and emotional expression of marginalized characters.Based on numerous literature research,and started with the film narration,Mise-en-scéne and editin of Wong Kar-Wai's films,this paper compared and analyzed the openness of Wong Kar-Wai's films by using Eco's theory of open works and the "Liu bai"of traditional Chinese aesthetics.The unique aesthetic and philosophical thinking of Wong Kar-Wai's films were explored,and a cross-cultural and multi-dimensional dialogue space among creators,films,and audiences were established.