浅论汉代经学对《文心雕龙》的影响

On the Influence of Confucian Classics in Han Dynasty on"The Literary Mind and the Carving of Dragons"(Wen Xin Diao Long)

《文心雕龙》一书自产生后,就对中国文学的理论批评和文学作品的创作起着引导的作用。在现代研究中,研究《文心雕龙》的学术被叫做“龙学”。刘勰论著《文心雕龙》的基本宗旨是“以经为宗”。其中“经”就是汉代以来建立吸纳先秦原初儒学的经学,经学对刘勰论著《文心雕龙》有着重要的影响,在其思想理论建构和范畴学术上,都可以看见经学在里面的“痕迹”,经学给《文心雕龙》以很多精神养料。《文心雕龙》五十篇,从理论体系来看,大致是文学本体论、创作论、文体论、作品论等,每个部分的著作,都立足于经学,离不开经学对其的影响。

Since its creation,the book"The Literary Mind and the Carving of Dragons"has played a guiding role in theoretical criticism of Chinese literature and the creation of literary works.In modern studies,the study on"The Literary Mind and the Carving of Dragons"is called"Dragonology"(Long Xue).The basic tenet of Liu Xie's work"The Literary Mind and the Carving of Dragons"is"to respect the Confucian classics".The"Confucian classics"(Jing)are the Confucian classics established since the Han Dynasty to absorb the original Confucianism of the pre-Qin dynasty,which have an important influence on Liu Xie's work"The Literary Mind and the Carving of Dragons".The"traces"of the Confucian classics can be seen in its ideological and theoretical construction as well as in its category and academic,and the Confucian classics have given much spiritual nourishment to"The Literary Mind and the Carving of Dragons".The fifty chapters of"The Literary Mind and the Carving of Dragons",in terms of theoretical system,are broadly based on literary ontology,writing theory,stylistics,and work theory.Each part of the work is based on Confucian classics and cannot be separated from the influence of the Confucian classics.