摘要
国产剪纸片是剪纸、皮影戏、戏曲、影视等在互动融合中创生的动画类型,在再媒介化的转化创新中进行着本体建构。视听叙事上从声画“合一”到偏重“声音”,表演要在“不流畅”的动作体系中寻找装饰感与戏曲韵味的平衡,这些特质重塑了中国剪纸片的本体构成,并形成了自己的民族风格。
Domestic paper-cut is a type of animation created in the interactive integration of paper-cut,shadow play,opera,film and television,and carries on the ontological construction in the transformation and innovation of re-media.In terms of audio-visual narration,it shifts from the unity of sounds and pictures to the emphasis on“sounds”.In terms of performance,it looks for the balance between the sense of decoration and the charm of traditional opera in the“unsmooth”action system.All these characteristics reshape the ontological composition of Chinese paper-cut and form its own national style.
作者
任占涛
REN Zhan-tao(School of Literature and Journalism&Communication,Henan University of Economics and Law,Zhengzhou 450046,China)
出处
《美育学刊》
2021年第6期104-109,共6页
Journal of Aesthetic Education
基金
河南省哲学社会科学规划年度项目“中国动画民族化的‘形式理论’及应用策略研究”(2020BYS002)
河南财经政法大学文化传播学院马克思主义新闻观研究中心资助项目“数字媒体语境下新闻漫画的本体嬗变及传播作用研究”的阶段性成果。
关键词
中国剪纸片
融合创新
戏曲元素
视听叙事
Chinese paper-cut
integration and innovation
opera element
audio-visual narrative