听觉叙事研究的缘起、话语创新与范式转换

The Origin,Discourse Innovation and Paradigm Shift of the Study of Auditory Narratology

听觉叙事指叙事作品中与听觉感知相关的表达与书写,不论传媒变革为讲故事的行为提供了多少新的手段,从本质上说它们都未摆脱对口头讲述的模仿。人类听力的钝化与周遭环境变得日益喧闹有关,今天的叙事作品中很少看到对各类听觉事件的妙用,批评家似乎也感觉不到这方面的萎缩与退步。感知体验的匮乏带来的后果是表达上的捉襟见肘,为此需要实现话语工具的创新,将聆察、音景等与听觉有密切关系的概念术语引入叙事学领域。研究“语音独一性”问题需要跳出形而上的研究范式,追踪书面文字的语音残余靠的是细读功夫,从听觉角度实现文本意图的“现场还原”。

Auditory narratology refers the expression and writing related to auditory perception in narrative works.No matter how many new means for storytelling appears in media reform,they have not,in essence,escaped the imitation from oral narrative.People are getting dull surrounding by increasingly noises.Few aural events are clever used in today's narratives and critics seem numb to this shrinkage or regression,resulting in the awkwardness in expression.It is necessary to realize discourse tools’innovation,introducing concepts and terms closely related to hearing,such as auscultation and soundscape,into the field of narratology.