多模态与智能手机片:展望影视人类学3.0版

Multimodality and Smartphone Films:Envisaging Visual Anthropology 3.0 Version

从屏幕视角梳理影视人类学史,可以建构影视人类学1.0版、2.0版和3.0版的三分模型。最初的电子音像屏幕是电影院银幕,影视人类学作品是在那上面呈现的,这是学术史第一阶段,即影视人类学1.0版,始于20世纪50年代。学术史第二阶段,即影视人类学2.0版,始于70年代,从那时起,电视屏幕逐渐普及,并催生了专业影视人类学教学和研究机构。立足现在以展望未来,学术史第三阶段即影视人类学3.0版的特征,应该是手机屏幕作为成果呈现载体。影视人类学2.0版和3.0版之间,存在着一个基于电脑的DV阶段,从1995年持续至今。DV阶段可以视为阈限期,它既包含过去的因素,也包含未来的因素。

Combing the history of visual anthropology from the screen perspective, we build a tripartitemodel of version 1.0, version 2.0 and version 3.0. Visual anthropology version 1, the first phase of its academichistory, dates back to the 1950 s when cinema screens as first electronic audio-visual screens presented visualanthropological works. The second phase of the academic history of visual anthropology, version 2.0, began inthe 1970 s during which television screens gained gradual popularity and professional teaching and researchinstitutions of visual anthropology boomed as a result. Viewing from the present and looking into the future, wepredict that the third phase of the academic history of visual anthropology, the 3.0 version, should be regardedas a time when phone screens are used as the carriers of presentation. Between visual anthropology version 2.0 and 3.0 is a computer-based DV phase, lasting from 1995 to this day. The DV phase can be considered as athreshold period, which connects the past with the future.