摘要
《大鱼海棠》被视为是中国动画电影界的一部现象级的作品。它主要讲述了人鱼少女“椿”与人类男孩“鲲”之间的故事。影片运用生命的符号,在声音律动、画面呈现、艺术空间方面构建出了一个独具特色的生命宇宙。从生命美学的角度出发,通过对影片中“节奏”美的探讨,可发现其背后所蕴含的中国文化精神,从而反映中国人的人生观与宇宙观以及中华民族的生命意识。
Big Fish and Begonia is regarded as a phenomenon in the Chinese animation film industry.It mainly tells the story of Chun,a mermaid,and Kun,a human boy.The film uses the symbol of life to construct a unique life universe in the aspects of sound rhythm,picture presentation and art space.From the perspective of life aesthetics,through the discussion of the beauty of“rhythm”in the film,we can find the Chinese cultural spirit behind it,so as to reflect the Chinese people’s outlook on life and world as well as the life consciousness of the Chinese nation.
作者
秦春草
刘可文
QIN Chun-cao;LIU Ke-wen(College of Arts,Guizhou Normal University,Guiyang Guizhou 550025;College of Media,Guizhou Normal University,Guiyang Guizhou 550025)
出处
《长沙航空职业技术学院学报》
2021年第4期89-93,共5页
Journal of Changsha Aeronautical Vocational and Technical College
关键词
节奏
《大鱼海棠》
生命美学
rhythm
Big Fish and Begonia
life aesthetics