“左翼十年”文艺理论译介与传播

Literary Theory Translation and Dissemination in the"Left-wing Decade"

“左翼十年”,中国马克思主义文论的初成与中国现代文学的繁盛都离不开左翼作家对域外文艺理论的译介与传播。如果说日本的文论译介开启了用简单的马克思主义文论原理解读文学现象,那么,苏俄的文论译介进一步丰富了左翼作家对马克思主义文论的认知,见证了马克思主义文论的思想魅力,而对西方文论的开放性译介则在一定程度上确保了革命文艺的艺术真实性与思想批判性、意识形态性与文艺审美性的辩证统一,由此产生了对单一的文艺样态起到了矫偏的功能。“左翼十年”文艺理论的译介与传播,在中国马克思主义文论发展过程中发挥了极为重要的作用,它参与了中国文艺现代性的构,为后续中国现代文学的新发展确立了新格局、指明了新方向。

During the"left-wing decade"period,the initial development of Chinese Marxist literary theory and the prosperity of Chinese modern literature are inseparable from the translation and dissemination of foreign literary theories by left-wing writers.If the translation and introduction of literary theory from Japan started the literary interpretation with simple Marxist literary theory principles,the literary theory from Soviet Russia further enriched the left-wing writers′cognition of Marxist literary theory and witnessed the ideological charm of Marxist literary theory,then,to a certain extent,the translation and introduction of western literary theory ensured the dialectical unity of artistic authenticity,ideological criticism,and literary aesthetics in revolutionary literature,which has the function of correcting the deviation of the single literature form.The translation,introduction and dissemination of the"left-wing decade"literary theory has played a very important role in the development of Chinese Marxist literary theory.It has participated in the spiritual construction of Chinese literary modernity,established a new pattern and pointed out a new direction for the subsequent development of Chinese modern literature.