论死亡本能与战争电影中的战争美学

On Death Instinct and War Aesthetics in War Movies

观众对战争电影的独特审美体验有赖于人的特殊心理动因,而弗洛伊德在其后期研究中提出的死亡本能理论很大程度上契合了对这种独特审美体验发生机制的解释。通过对人们如何接受战争电影中毁灭与死亡的直接表现,以及为了使文明社会接纳而进行的艺术化处理进行精神分析,这种审美机制的运作过程将能够得到清晰的呈现。这种阐释对于了解毁灭与死亡等日常生活中无法引起美感的景象何以在电影中成为艺术表现的对象,具有一定的启示意义。

The audience’s unique aesthetic experience while watching war movies depends on people’s special psychological motivations,and the theory about death instinct put forward by Freud in his later research largely fits the explanation of the mechanism of this unique aesthetic experience.Through the psychoanalysis of how people accept the direct expression of destruction and death in war movies,as well as its artistic treatment for acceptance by civilized society,the operating process of this aesthetic mechanism will be able to be clarified.This kind of explanation will have a certain enlightenment for understanding why scenes that cannot be enjoyed aesthetically in daily life,such as destruction and death,become objects of artistic expression in movies.