藏传佛教肖像类美甫的写实技巧与观念 — 从夏鲁寺介尊肖像壁画说起

The Redistic Skills and Concepts of Tibetan Buddhish Portrait Art: On the Portrait Muraic of Lee Btsun Zhwalu Monastera

夏鲁寺创建者介尊肖像壁画的写实技巧、造型观念主要表现在其象征性写实主义技巧,其功能表现在其题材的纪念属性和宗教历史属性。联系其他佛教壁画、唐卡甚至部分雕塑等肖像作',分析介尊肖像的造型特征、写实风格倾向,可以看到藏传佛教肖像类美术写实造型表现及其观念成因和内涵,也可以看到肖像类美术在藏传佛教美术分类体系中的意义及定位。

The realistic techniquc and modeling concept of the Lee bstun 's portrait, the founder of Zhwalu monastery , are mainly manifested in its symbolic realism technique , and its function is manifested in the memorial attribute and religious historical attribute of its subject matter. ln connection with other Budlhist murals , Thangka and even some sculptures and other portrait works , this paper analyzes its modeling characteristics and realistic style tendency of the portraits.At the same time , we can see the realistic modeling performance of Tibetan Buddhist portrait art and its conceptual causes and connotation , and also can see the significance and positioning of portrait art in the classification system of Tibetan buddhist fine art.