摘要
赣东北山歌用艺术化的方式集中反映了赣东北人民的社会生活。山歌的题材主要有爱情、劳动生活和反映革命历史斗争的内容;曲体结构上,主要以二句式和四句式为主体;调式上,以徵调式为主体;音阶上,以五声音阶为基础,也有三声、四声、六声音阶和七声音阶;节拍变化丰富。在歌词创作上,赣东北山歌继承诗经的创作传统,广泛运用"比""兴"创作手法。畲族山歌是饶信文化的重要组成部分。畲族山歌有两种形式,一种是"打娇莲"或"打交恋",是畲族民歌最具代表性的音乐形式;一种是"锁歌",已与汉族民歌相融合。
The folk songs in Northeast Jiangxi reflect the social life of the people in northeast Jiangxi in an artistic way.The themes of folk songs mainly include love,labor life,and the content reflecting the struggle of revolutionary history;In terms of the structure of melody,the two-sentence and four-sentence patterns are mainly used;in terms of the mode,the mainly used is the mode of Zhengyin;in terms of the scale,based on the pentatonic scale,there are also three-tone,four-tone,six-tone scale and seven-tone scale;there are abundant tempo variations.In the creation of lyrics,the folk songs of Northeast Jiangxi inherit the creation tradition of the Book of Songs,and extensively use the creation techniques of"bi"and"xing".The folk song of the She ethnic group is an important part of Raoxin culture.There are two forms of folk songs of the She ethnic group:one is"Dajiaolian",which is the most representative music form of the She ethnic group;the other is"Suoge",which has been integrated into Han folk songs.
作者
苏前忠
SU Qianzhong(School of Music and Dance,Shangrao Normal University,Shangrao Jiaongxi 334001,China)
出处
《上饶师范学院学报》
2021年第5期101-107,共7页
Journal of Shangrao Normal University
关键词
赣东北山歌
社会生活
呼牛调
打娇莲
曲体结构
the folk songs in Northeast Jiangxi
social life
Huniu tune
Dajiaolian
structure of melody