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自然与写实的耦合:徐悲鸿花鸟画藏品的艺术美境--以《芙蓉水禽画》为例进行透析

The coupling of naturalism and realism: the artistic beauty of Xu Beihong′s collection of flower and bird paintings--An analysis of the Painting of Hibiscus and Waterfowl
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摘要 介绍了徐悲鸿及其花鸟画的收藏情况,考析了中国花鸟画的历史,对《芙蓉水禽图》的艺术魅力进行鉴赏,提出徐悲鸿花鸟画收藏的研究价值及启示:其一,突出对自然生命境界的向往与追求;其二,追求气韵生动的画境;其三,表达了尊重生命的绿色生态观。 Starting from the overview of Xu Beihong′s collection of flower and bird paintings, this paper elaborates the historical facts reflected in the paintings, analyzes the artistic charming of the Painting of Hibiscus and Waterfowl, and puts forward the research value and enlightenment of Xu Beihong′s collection of flower and bird paintings. First, the collection highlights the yearning and pursuit of the realm of natural life. Second, the collection pursues a vivid painting environment. Third, the collection expresses the green ecology of respect for life.
作者 陈春勇 CHEN Chunyong(School of Philosophy,Renmin University of China,Beijing 100872;Fujian Youth Academy of Painting,Fuzhou,Fujian 350001,China)
出处 《福建农林大学学报(哲学社会科学版)》 2021年第6期102-106,共5页 Journal of Fujian Agriculture and Forestry University(Philosophy and Social Sciences)
关键词 徐悲鸿 花鸟画 《芙蓉水禽图》 Xu Beihong flower and bird paintings Painting of Hibiscus and Waterfowl

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