“物哀”美学视域下是枝裕和家庭电影的叙事研究

A Narrative Study of Hirokazu Kore-eda's Family Movies From the Aesthetic Perspective of"Mononoaware"

在日本,家庭作为最小的社会单位,是社会中人间百态的缩影,有着意蕴丰富的表意空间。所以在是枝裕和的电影中,家庭是不可或缺的创作母题。他用含蓄的东方式表达平衡家庭电影的叙事与情感,通过“纪实化”的场景画面和“去戏剧化”的叙事风格将物哀美学具体呈现,以“物哀”隐喻家庭中亲密又疏离、天然又扭捏的情感关系,让电影在看似轻浮草率、漫不经心的平铺直叙中完成对生死、家庭以及个体精神的思考与探讨。

In Japan,family,as the smallest social unit,is a microcosm of all human conditions in the society and has a rich meaningful space.So family is an indispensable motif in Kore-eda's films.He expressed the narration and emotion in family movies with an implicit eastern way,and presented the aesthetics of mononoaaware through the"documentary"scenes and"dedramatization"narrative style."Mononoaaware"was used as a metaphor for the intimate and estranged,natural and awkward emotional relationship in the family.The film completes the contemplation and discussion of life and death、family and individual spirit with a narration which seems frivolous and careless.