论清代佑顺寺伎乐飞天石刻图像的辽金特征

On characteristics of Liao and Jin period in the stone carving images of Yushun Temple Acting Bodhisattva in Qing Dynasty

文章以辽宁朝阳清代佑顺寺大雄宝殿北墙外镶嵌的4块伎乐飞天石刻为研究对象,通过音乐图像分析、与朝阳辽代北塔上的伎乐飞天砖雕音乐图像进行对比并结合佑顺寺周边考古发现进行参证、互证后认为:此4块石刻所反映的音乐信息不符合清代特点,具有鲜明的辽金特征。

In this article,the author take the four Stone carvings of Acting Bodhisattva inset outside the north wall of The Main hall of Yushun Temple in the Qing Dynasty in Chaoyang,Liaoning province as the research object,through the analysis of the music images of Acting Bodhisattva brick carvings on the north tower of the Liao Dynasty in Chaoyang and the comparison of the music images of Acting Bodhisattva brick carvings on the north tower of The Liao Dynasty in Chaoyang,combined with the archaeological findings of the surrounding Yushun Temple for reference and mutual verification,the following conclusions are obtained:The musical information reflected in the four stone carvings does not accord with the characteristics of Qing Dynasty,with distinct characteristics of Liao and Jin period 。