朗西埃政治美学理论中平等的审美经验研究

A Study of the Aesthetic Experience of Equality in Rancière's Political Aesthetic Theory

康德和席勒的自由美学理论将对自由的讨论和美学思想相结合,是20世纪前期审美政治的热点议题。朗西埃美学研究从自由转向对平等的讨论,在赋予观众解放的实践活动中寻求审美平等的可能性。整体把握朗西埃哲学谱系中独特的艺术政治,将其与康德“美是道德的象征”进行类比研究,在审美经验的作用下给予艺术创作充分的自由,为美学平等实践提供预设参考方案。

The aesthetic theory of freedom of Kant and Schiller,which combined the discussion of freedom with aesthetic thought,was a hot topic in the aesthetic politics of the early 20th century."After the May Storm,Rancière's aesthetic research shifted from freedom to the discussion of equality,seeking the possibility of aesthetic equality in the practical activity of empowering the audience to be emancipated.The study of the unique politics of art in Rancière's philosophical genealogy,in analogy with Kant's'beauty as a symbol of morality',gives full freedom to artistic creation under the role of aesthetic experience,and provides a pre-determined reference scheme for the practice of aesthetic equality.