符号的建构与文学的真实--丁玲延安时期的形象塑造

The Construction of Symbols and the Truth of Literature--The Construction of Ding Ling’s Image in Yan’an

作为活跃于20世纪文坛的一颗耀眼的明星,“丁玲”形象是逐渐被建构的,从最初“一出台就挂头牌”的青年女作家,到延安时期知名的女作家和女“英雄”形象,丁玲已经从一个女性作家转变为一个符号的存在,在真实与想象之间建构起一个被人推崇、敬仰甚至神话了的文学“丁玲”,而这一形象再造的背后是文学传播地理的权衡与重构。从自我真实的丁玲到符号的丁玲之间,实则是被合规在意识形态国家机器之中的丁玲,而这一时期的丁玲作为一个“符号”实则是一个自我重塑和再造的过程。在延安时期,丁玲完成了自我形象的转变,并最终实现了本我的丁玲——文学的丁玲——符号的丁玲的形象重塑。

As a dazzling star active in the literary world of the 20^(th) century,the image of“Ding Ling”has been gradually constructed,from a young female writer who was initially“in the center on the stage”to a well-known female writer and“heroine”in the Yan’an period.Thus Ding Ling has transformed herself from a female writer into a symbolic being,building a literary“Ding Ling”between reality and imagination that is admired,worshiped and even mythologized,while the image reconstruction is the balance and reconstruction of literary communication geography.From the self-authentic Ding Ling to the symbolic Ding Ling,she was actually regulated by the ideological state machine,and as a“symbol”,Ding Ling in that period was in fact a process of self-remodeling and reconstruction.In the Yan’an period,Ding Ling completed the transformation of her self-image,and finally realized the reshaping of the image of the id Ding Ling-the literary Ding Ling-the symbolic Ding Ling.