学术史视野下的延安文艺研究--由《抗战与延安文学现代性》谈起

A Study of Yan’an Literature and Art from the Perspective of Academic History--A Case Study of The War of Resistance Against Japanese Aggression and the Modernity of Yan’an Literature

20世纪90年代以来,延安文艺研究受到社会文化思潮的影响,经历了一个复杂的发展过程:20世纪末,随着启蒙话语的打破、延安文艺现代性的确立、西方文艺理论的引入,延安文艺研究在史实叙述、回到原初、再解读等方面进行了全面深化;新世纪以来,延安文艺研究立足于“反思”与“重启”,在回归历史、史料建设、体制机制、文学-文化、专题聚焦等方面进行了多维推进。袁盛勇《抗战与延安文学现代性》以宏阔的学术史视野,直面延安文艺的热点和难点问题,对关涉延安文艺根本的“民族抗战”“现代性”等复杂性问题展开系统论述,引发了我们对于延安文艺研究“整体性”“中国性”等问题的深层次思考。

Since the 1990s,the study of Yan’an literature and art has gone through a complicated development process under the impact of social and cultural trends of thought:at the end of the 20^(th) century,with the breaking of the enlightenment discourse,the establishment of modernity in Yan’an literature,and the introduction of western literary theories,the study of Yan’an literature and art has been comprehensively deepened in terms of its historical fact narration,its return to the original and its reinterpretation.Since the new century,based on“reflection”and“restart”,the study of Yan’an literature and art has made advancements in many aspects,such as its return to history,historical data construction,institutional mechanisms,literature and culture,thematic focus,etc.With a broad perspective of academic history,Yuan Shengyong’s The War of Resistance against Japanese Aggression and the Modernity of Yan’an Literature faces up to heated and hard issues of Yan’an literature and art and systematically discusses complex issues related to the fundamental“national resistance against Japanese aggression”and“modernity”of Yan’an literature and art,thus leading us to ponder over the“integrity”and“Chineseness”in the study of Yan’an literature and art.