中国手卷式电影审美研究

Research on the Aesthetics of Chinese Hand-scroll Films

中国传统手卷绘画方法对中国电影影响深远。在手卷画中,既有山水画的灵动和趣味,也蕴含着手卷画叙事的巧妙构思。在中国电影实践中,手卷式电影构图令“沉浸”与“认识”这两种哲学和美学理路交相辉映,使有限的电影时空在横移和纵深展开中呈现出强烈的历史感,可谓趣味生动、富于灵性。而勾连画中叙事的“回眸”等技巧,既起到承上启下的作用,也将观看者引向目光之外的遐思之中。此外,近年青年导演又将手卷式电影的创作方法延伸至电影整个结构的设置上,表现出挑战极限的勇气。

Chinese traditional handscroll paintings have exerted great influence on Chinese films.In handscroll paintings,there are vividity and fun in landscape paintings,as well as ingenious conception of the narration of hand-scroll.In terms of the practice of Chinese films,two threads,the philosophy of“immerse”and the aesthetics of“understanding”,can converge in hand-scroll movie composition,which make the limited time-space of films exhibit strong sense of history in both horizontal and vertical dimensions.This is interesting and vivid.The skill of“glancing back”,as used to connect the narrations in the pictures,works not only bridge the previous and following sections but also leads the audiences to think beyond the vision.In addition,in recent years young directors introduce the creation method of hand-scroll films into the setting of the structure of the whole film,which shows the courage to challenge limit.