玉溪市滇剧院“新滇剧”创作现象研究

Study on the Phenomenon of the Creation of“New Yunnan Opera”in Yuxi Yunnan Opera Troupe

围绕着“发掘传统精髓,开创滇剧新篇”的发展定位,玉溪市滇剧院经过十年的探索与实践,创作出了以《水莽草》《贵妇还乡》《王者江上》《马克白夫人》为代表的一系列“新滇剧”作品。这些作品不仅保持、传承着滇剧的传统精髓,还为滇剧的创新谱写了新的篇章。玉溪市滇剧院的“新滇剧”作品从体裁类型上覆盖了大戏、小剧场戏曲、小品小戏;在题材上涉及了现实题材、历史题材、改编国内外名著等丰富类别。这些作品虽然题材、体裁各异,但在作品的美学精神、导表演风格、舞台面貌等方面都有着鲜明的“新滇剧”的品格和风貌。

Based on the blueprint of“exploring the essence of the tradition,opening new chapter of the Yunnan Opera”,Yuxi Yunnan Opera Troupe explored for ten years with a series of“new Yunnan Opera”works,such as Shui Mangcao,Lady Returning to Hometown,King on the River,Lay Macbeth.These works not only maintain and inherit the essence of Yunnan opera,but also write new chapters for the creation of Yunnan opera.The“New Yunnan Opera”created in Yuxi Yunnan Opera Troupe contains different genres,such as grand opera,operas in small theater and small opera,and it also contains different themes such as reality,history,adapted classics from home and abroad.While these work are different in terms of themes,genres,they are of characters and features of“New Yunnan Opera”in terms of aesthetic spirit,performing style,stage features and so on.