三苦、一瞬与一触--程正揆《江山卧游图》题跋研究

Three Hardships、One Moment and One Touch:A Study of Preface and Postscript of Cheng Zhengkui's The Picture ofJiang Shan Wo You

被誉为"国朝第一"与髡残并称"二溪"的清代画家程正揆曾绘制过数以百卷的《江山卧游图》并在画卷上留下了丰富的题跋,这些题跋大部分都被其子程大皋收集整理在《青溪遗稿》里。虽然目前美术史论界对程正揆的书画研究较为薄弱,但程正揆题在《江山卧游图》上的题跋很多都涉及到了艺术创作、艺术作品、艺术鉴赏等领域,值得我们进行研究与思考。文章基于《江山卧游图》的题跋结合文献资料探讨其中所蕴含的艺术思想。

The Qing Dynasty painter Cheng Zhengkui,who is known as"the first of the national Dynasty"and"Er Xi"together with Kun Can,once drew hundreds of The Picture of Jiang Shan Wo You and left a wealth of preface and postscript on the paintings,most of which were collected and arranged in Qing Xi Manuscript by his son Cheng Dagao.Although the research on Cheng Zhengkui's preface and postscript is relatively weak in the field of art history,many of Cheng zhengkui's preface and postscript in The Picture of Jiang Shan Wo You involve many fields of art,like artistic creation,works of art,artistic appreciation,which are worthy of our research and thinking.Based on the preface and postscript of The Picture of Jiang Shan Wo You,combined with literature,this paper discusses the artistic ideas contained in it.